LITERARY TEXT AS A CULTURAL PHENOMENON AND ITS COMMUNICATIVE POTENTIAL

UDC 101.1

Pototski Aliaksei Aleksandrovich – PhD (Philosophy), Associate Professor, Head of the Department of Philosophy and Law. Belarusian State Technological University (13a, Sverdlova str., 220006, Minsk, Republic of Belarus). E-mail: potoc78@mail.ru

 DOI: https://doi.org/ 10.52065/2520- 6885-2023-275-2-16 (In Russian).

 Key words: literary text, tradition, interpretation, communication, culture..

 For citation: Pototski A. A. Literary text as a cultural phenomenon and its communicative potential. Proceedings of BSTU, issue 6, History, Philosophy, 2023, no. 2 (275), pp. 88–91. DOI: 10.52065/2520- 6885-2023-275-2-16 (In Russian).

 Abstract

The article analyzes the literary text as a sphere of self-generated productivity and productivity of meaning, defines its specific characteristics, and explores the communicative potential of the literary text. It has been established that the unique relevance of a literary text lies in the fact that it is infinitely open to new integrations, to new communicative experience. The text is characterized by potential multiplicity, incompleteness of meanings, which is not amenable to final definition and hierarchization both on the part of the author and the recipient. In the context of this approach, the literary text is not considered from the point of view of the presentation of the original objective meaning in it. Such an attitude allows us to explore a literary text as a dimension of openness that cannot be reduced to a single reading. It is argued that a literary text is always something multiple and ambiguous, and not so much due to its form or content, but due to the structure of the interpretation itself, the essence of which lies in the fact that the original semantic definition of the text to be understood is enriched or replaced by another semantic definition carried out within more diverse or just a different system of representations. As a result, the literary text appears not as something that has become and completed, but as an unstable formation that is in the process of constant structuralization, which automatically implies the interpreter's rejection of the monologue principle in favor of polyphonism, a plurality of points of view on the unfolding narrative.

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12.09.2023